xiv.) Again: -- " The Heavenly rupa (Dhyan Chohan) creates ( man ) in his own form ; it is a spiritual ideation consequent on the first differentiation and awakening of the universal ( manifested ) Substance ; that form is the ideal shadow of Itself: and this is THE MAN OF THE FIRST RACE." To express it in still clearer form, limiting the explanation to this earth only, it was the duty of the first "differentiated Egos" -- the Church calls them Archangels -- to imbue primordial matter with the evolutionary impulse and guide its formative powers in the fashioning of its productions.
This it is which is referred to in the sentences both in the Eastern and Western tradition --"the Angels were commanded to create.
" After the Earth had been made ready by the lower and more material powers, and its three Kingdoms fairly started on their way to be "fruitful and multiply," the higher powers, the Archangels or Dhyanis, were compelled by the evolutionary Law to descend on Earth, in order to construct the crown of its evolution -- MAN.
Thus the "Self-created" [[Footnote(s)]] ------------------------------------------------- * " New Aspects of Life.
" ** Angelic, Spiritual Essences, immortal in their being because unconditioned in Eternity; periodical and conditioned in their Manvantaric manifestations.
[[Vol.
2, Page]] 243 MAN, THE PALE SHADOW OF GOD.
and the "Self-existent" projected their pale shadows; but group the Third, the Fire-Angels, rebelled and refused to join their Fellow Devas.
Hindu exotericism represents them all as Yogins, whose piety inspired them to refuse creating, as they desired to remain eternally Kumaras, "Virgin Youths," in order to, if possible, anticipate their fellows in progress towards Nirvana -- the final liberation.
But, agreeably to esoteric interpretation, it was a self-sacrifice for the benefit of mankind.
The "Rebels" would not create will-less irresponsible men, as the "obedient" angels did; nor could they endow human beings with only the temporary reflections of their own attributes; for even the latter, belonging to another and a so-much higher plane of consciousness, would leave man still irresponsible, hence interfere with any possibility of a higher progress.
No spiritual and psychic evolution is possible on earth -- the lowest and most material plane -- for one who on that plane, at all events, is inherently perfect and cannot accumulate either merit or demerit.
Man remaining the pale shadow of the inert, immutable, and motionless perfection, the one negative and passive attribute of the real I am that I am, would have been doomed to pass through life on earth as in a heavy dreamless sleep; hence a failure on this plane.
The Beings, or the Being, collectively called Elohim, who first (if ever) pronounced the cruel words, "Behold, the man is become as one of us, to know good and evil; and now, lest he put forth his hand and take also of the tree of life and eat and live for ever .
.
.
" must have been indeed the Ilda-baoth, the Demiurge of the Nazarenes, filled with rage and envy against his own creature, whose reflection created Ophiomorphos.
In this case it is but natural -- even from the dead letter standpoint -- to view Satan, the Serpent of Genesis, as the real creator and benefactor, the Father of Spiritual mankind.
For it is he who was the "Harbinger of Light," bright radiant Lucifer, who opened the eyes of the automaton created by Jehovah, as alleged; and he who was the first to whisper: "in the day ye eat thereof ye shall be as Elohim, knowing good and evil" -- can only be regarded in the light of a Saviour.
An "adversary" to Jehovah the " personating spirit," he still remains in esoteric truth the ever-loving "Messenger" (the angel), the Seraphim and Cherubim who both knew well, and loved still more, and who conferred on us spiritual, instead of physical immortality -- the latter a kind of static immortality that would have transformed man into an undying "Wandering Jew." As narrated in King's "Gnostics," "Ilda-Baoth, whom several sects regarded as the God of Moses, was not a pure spirit, he was ambitious and proud, and rejecting the spiritual light of the middle space offered him by his mother Sophia-Achamoth, he set himself to create a world of his own.
Aided by his sons, the six planetary genii, he fabricated man, [[Vol.
2, Page]] 244 THE SECRET DOCTRINE.
but this one proved a failure.
It was a monster, soulless, ignorant, and crawling on all fours on the ground like a material beast.
Ilda-Baoth was forced to implore the help of his spiritual mother.
She communicated to him a ray of her divine light, and so animated man and endowed him with a soul.
And now began the animosity of Ilda-Baoth toward his own creature.
Following the impulse of the divine light, man soared higher and higher in his aspirations; very soon he began presenting not the image of his creator Ilda-Baoth but rather that of the Supreme Being, the 'primitive man,' Ennoia.
Then the Demiurgos was filled with rage and envy; and fixing his jealous eye on the abyss of matter, his looks envenomed with passion were suddenly reflected as in a mirror; the reflection became animate, and there arose out of the abyss Satan, serpent, Ophiomorphos -- 'the embodiment of envy and cunning.
He is the union of all that is most base in matter, with the hate, envy, and craft of a spiritual intelligence.' " This is the exoteric rendering of the Gnostics, and the allegory, though a sectarian version, is suggestive, and seems true to life.
It is the natural deduction from the dead letter text of chapter iii.
of Genesis.
Hence the allegory of Prometheus, who steals the divine fire so as to allow men to proceed consciously on the path of spiritual evolution, thus transforming the most perfect of animals on earth into a potential god, and making him free to "take the kingdom of heaven by violence." Hence also, the curse pronounced by Zeus against Prometheus, and by Jehovah-Il-da-Baoth against his "rebellious son," Satan.
The cold, pure snows of the Caucasian mountain and the never-dying, singeing fire and flames of an extinguishable hell.
Two poles, yet the same idea; the dual aspect of a refined torture: a fire producer -- the personified emblem of [[ Phosphoros ]] of the astral fire and light in the anima mundi -- (that element of which the German materialist philosopher Moleschott said: "ohne phosphor kein gedanke," i.e.
Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.
The passage is fundamentally a cosmogonic narrative describing how the world was made, how the Dhyanis descended to create man, and the Gnostic account of Ilda-Baoth's failed creation and Sophia's animating ray.
A secondary creator deity—often ignorant or malevolent—responsible for fashioning the material world, distinct from the supreme transcendent God.
Ilda-Baoth is explicitly identified as 'the Demiurge of the Nazarenes' who created a soulless, ignorant man and was filled with rage and envy toward his own creature — the central Gnostic narrative of the passage.
Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.
Sophia-Achamoth 'communicated to him a ray of her divine light, and so animated man and endowed him with a soul' — the classic Gnostic image of divine sparks trapped in material bodies.
The doctrine that the cosmos unfolds as a structured descent of spirit into matter — a directional process traced stage by stage from an unconditioned principle down through successive planes to full materialization — complemented by its own eventual return ('evolution'). Distinct from emanation_hierarchy (the static structure of the resulting levels of the cascade) and cosmogony (a single originating event rather than an ongoing staged process) in naming the directional cosmic PROCESS of descent itself, paired with its own complementary ascent.
The passage explicitly describes the directional descent of higher powers: 'the higher powers, the Archangels or Dhyanis, were compelled by the evolutionary Law to descend on Earth, in order to construct the crown of its evolution — MAN.'