First from ONE emanated number TWO, or Air, the creative element; and then number THREE, Water , proceeded from the air; Ether or Fire complete the mystic four, the Arba-il.
(Ibid.) In the Eastern doctrine Fire is the first Element -- Ether , synthesizing the whole (since it contains all of them).
In the Vishnu Purana , the whole seven periods are given, and the progressive Evolution of "Spirit-Soul," and of the seven forms of matter (or principles) are shown.
It is impossible to enumerate them in this work.
The reader is asked to peruse one of the Puranas.
"R.
Yehudah began, it is written: 'Elohim said: Let there be a firmament, in the midst of waters.
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At the time that the Holy .
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created the world, He (they) created seven heavens Above.
He created seven earths Below, seven seas, seven days, seven rivers, seven weeks, seven years, seven times, and 7,000 years that the world has been.
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the seventh of all the millennium.
So here are seven earths Below, they are all inhabited except those which are above, and those .
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below.
And .
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between each earth, a heaven (firmament) is spread out between each other.
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And there are in them (these earths) creatures who look different from each other .
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but if you object and say that all the children of the world came out from Adam, [[Vol.
1, Page]] 448 THE SECRET DOCTRINE.
it is not so.
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And the lower earths, where do they come from?
They are from the chain of the earth , and from the heaven below," etc., etc.* Irenaeus is our witness (and a very unwilling one, too) that the Gnostics taught the same system, veiling very carefully the true esoteric meaning.
This "veiling," however, is identical with that of the Vishnu Purana and others.
Thus Irenaeus writes of the Marcosians: "They maintain that first of all the four elements, fire, water, earth and air, were produced after the image of the primary tetrad above, and that then if we add their operations, namely, heat, cold, dryness and moisture, an exact likeness of the ogdoad is presented." (B.
i.
ch.
xvii.) Only this "likeness" and the ogdoad itself is a blind, just as in the seven creations of the Vishnu Puranas, to which two more are added of which the eighth, termed Anugraha, "possesses both the qualities of goodness and darkness," a Sankhyan more than a Puranic idea.
For Irenaeus says again (b.
I.
xxx.
6) that "they (the Gnostics) had a like eighth creation which was good and bad, divine and human.
They affirm that man was formed on the eighth day .
Sometimes they affirm that he was made on the sixth day , and at others on the eighth; unless, perchance, they mean that his earthly part was formed on the sixth day and his fleshly part (?) on the eighth day; these two being distinguished by them." They were so "distinguished," but not as Irenaeus gives it.
The Gnostics had a superior Hebdomad , and an inferior one, in Heaven; and a third terrestrial Hebdomad , on the plane of matter.
I AO, the mystery god and the Regent of the Moon, as given in Origen's chart, was the chief of these superior " Seven Heavens ,"** hence identical with the chief of the lunar Pitris, that name being given by them to the lunar Dhyan-Chohans.
"They affirm that these seven heavens are intelligent, and speak of them as being angels ," writes the same Irenaeus; and adds that on this account they termed Iao Hebdomas, while his mother was called " Ogdoas ," because, as he explains, "she preserved the number of the first begotten and primary Ogdoad of the Pleroma.
" (Ibid.
b.
I, v.
2).
This "first begotten Ogdoad " was ( a ) in theogony the second Logos (the manifested) because he was born of the Seven-fold first Logos , hence he is the eighth on this manifested plane; and ( b ) in astrolatry, it was the Sun , Marttanda -- the eighth son of Aditi, whom she rejects while preserving her Seven Sons, the planets.
For the ancients have never regarded the Sun as a planet, but as a central and fixed Star.
This, then, is the second Hebdomad born of the Seven-rayed one, Agni, the Sun [[Footnote(s)]] ------------------------------------------------- * Qabbalah, p.
415-16, by T.
Myer, Philadelphia.
** Superior to the Spirits or "Heavens" of the Earth only.
[[Vol.
1, Page]] 449 THE SIX STELLAR GODS.
and what not, only not the seven planets, which are Surya's brothers , not his Sons.
These Astral gods, whose chief with the Gnostics was Ildabaoth* (from Ilda "child," and Baoth "the egg"), the son of Sophia Achamoth, the daughter of Sophia (Wisdom), whose region is the Pleroma, were his (Ildabaoth's) sons.
He produces from himself these six stellar spirits: Jove (Jehovah), Sabaoth , Adonai , Eloi , Osraios , Astaphaios , ** and it is they who are the second, or inferior Hebdomad.
As to the third, it is composed of the seven primeval men, the shadows of the lunar gods, projected by the first Hebdomad.
In this the Gnostics did not, as seen, differ much from the esoteric doctrine except that they veiled it.
As to the charge made by Irenaeus, who was evidently ignorant of the true tenets of the "Heretics," with regard to man being created on the sixth day, and man being created on the eighth , this relates to the mysteries of the inner man.
It will become comprehensible to the reader only after he has read Book II., and understood well the Anthropogenesis of the Esoteric doctrine.
Ildabaoth is a copy of Manu.
The latter boasts, "Oh, best of twice-born men!
Know that I (Manu) am he, the creator of all this world, whom that male Viraj .
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spontaneously produced" (I., 33).
He first creates the ten lords of Being, the Prajapatis, who, as verse 36 says .
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"produce seven other Manus." ( The Ordinances of Manu.
) Ildabaoth does likewise: "I am Father and God, and there is no one above me," he exclaims.
Divine archetypal beings or eternal attributes dwelling within the Pleroma, often arranged in male-female syzygies.
The seven heavens described as 'intelligent' and 'angels,' the three hebdomads, and the stellar spirits function as aeon-like archetypal beings arranged in structured hierarchies within the divine fullness.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The passage systematically maps Gnostic, Hindu, and Qabbalistic systems onto each other, stating the Gnostic 'veiling' is 'identical with that of the Vishnu Purana' and that Ildabaoth is 'a copy of Manu.'
Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.
The passage narrates cosmic origin from multiple traditions: the emanation from ONE through the elements, the creation of seven heavens and seven earths, and the Gnostic production of the four elements from the primary tetrad.
A secondary creator deity—often ignorant or malevolent—responsible for fashioning the material world, distinct from the supreme transcendent God.
Ildabaoth is presented as the Gnostic demiurge who claims 'I am Father and God, and there is no one above me,' and is explicitly paralleled with Manu as a secondary creator distinct from the supreme source.
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
The passage's central structure traces emanation from ONE through TWO, THREE, four elements, seven heavens, the hebdomads, and the ogdoad born of the seven-fold Logos, presenting a complete cascading hierarchy of divine levels.
The Gnostic myth of Wisdom's prolapse from the Pleroma — her unilateral desire or error producing the Demiurge and the entrapment of divine sparks in matter.
The passage explicitly identifies Ildabaoth as 'the son of Sophia Achamoth, the daughter of Sophia (Wisdom),' directly referencing the Gnostic myth of Sophia's prolapse producing the demiurge.
Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.
The passage repeatedly emphasizes that the Gnostics and Puranas 'veiled very carefully the true esoteric meaning,' presenting the doctrine as having an outer exoteric layer concealing an inner esoteric truth.
The doctrine that the cosmos unfolds as a structured descent of spirit into matter — a directional process traced stage by stage from an unconditioned principle down through successive planes to full materialization — complemented by its own eventual return ('evolution'). Distinct from emanation_hierarchy (the static structure of the resulting levels of the cascade) and cosmogony (a single originating event rather than an ongoing staged process) in naming the directional cosmic PROCESS of descent itself, paired with its own complementary ascent.
The Vishnu Purana's 'progressive Evolution of Spirit-Soul, and of the seven forms of matter (or principles)' describes the staged descent of spirit into successive material planes, which Blavatsky presents as the cosmic process of involution.
The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.
The passage explicitly distinguishes the 'Seven-fold first Logos' from the 'second Logos (the manifested),' identifying the latter as the eighth on the manifested plane and linking it to the Sun.
Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.
The entire passage is organized around the mystical significance of numbers: ONE, TWO, THREE, the mystic four (Arba-il), seven heavens, seven earths, the hebdomad, the ogdoad, and the eighth as a critical threshold.
The divine fullness or totality of the highest realm, populated by aeons and divine attributes, contrasted with the deficient material world.
The Pleroma is explicitly named as the region of Sophia and the source of the 'first begotten and primary Ogdoad of the Pleroma,' though it serves as a reference point rather than the passage's main subject.