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The Writings of Chuang Tzu (Inner Chapters) · 20 of 57 · tr. James Legge

Book III (part 1)

p. 198 BOOK III. PART I. SECTION III. Yang Shang Kû, or 'Nourishing the Lord of Life 1 .' 1. There is a limit to our life, but to knowledge there is no limit. With what is limited to pursue after what is unlimited is a perilous thing; and when, knowing this, we still seek the increase of our knowledge, the peril cannot be averted 2 . There should not be the practice of what is good with any thought of the fame (which it will bring), nor of what is evil with any approximation to the punishment (which it will incur) 3 :--an accordance with the Central Element (of our nature) 4 is the regular way to preserve the body, to maintain the life, to nourish our parents, and to complete our term of years. 2. His cook 5 was cutting up an ox for the ruler Wän-hui 5 . Whenever he applied his hand, leaned forward with his shoulder, planted his foot, and employed p. 199 the pressure of his knee, in the audible ripping off of the skin, and slicing operation of the knife, the sounds were all in regular cadence. Movements and sounds proceeded as in the dance of 'the Mulberry Forest 1 ' and the blended notes of 'the King Shâu 1 .' The ruler said, 'Ah! Admirable! That your art should have become so perfect!' (Having finished his operation), the cook laid down his knife, and replied to the remark, 'What your servant loves is the method of the Tâo, something in advance of any art. When I first began to cut up an ox, I saw nothing but the (entire) carcase. After three years I ceased to see it as a whole. Now I deal with it in a spirit-like manner, and do not look at it with my eyes. The use of my senses is discarded, and my spirit acts as it wills. Observing the natural lines, (my knife) slips through the great crevices and slides through the great cavities, taking advantage of the facilities thus presented. My art avoids the membranous ligatures, and much more the great bones. 'A good cook changes his knife every year;--(it may have been injured) in cutting; an ordinary cook changes his every month;--(it may have been) broken. Now my knife has been in use for nineteen years; it has cut up several thousand oxen, and yet its edge is as sharp as if it had newly come from the whetstone. There are the interstices of the joints, and the edge of the knife has no (appreciable) thickness; when that which is so thin enters where the interstice is, how easily it moves along! The p. 200 blade has more than room enough. Nevertheless, whenever I come to a complicated joint, and see that there will be some difficulty, I proceed anxiously and with caution, not allowing my eyes to wander from the place, and moving my hand slowly. Then by a very slight movement of the knife, the part is quickly separated, and drops like (a clod of) earth to the ground. Then standing up with the knife in my hand, I look all round, and in a leisurely manner, with an air of satisfaction, wipe it clean, and put it in its sheath.' The ruler Wän-hui said, 'Excellent! I have heard the words of my cook, and learned from them the nourishment of (our) life.' 3. When Kung-wän Hsien 1 saw the Master of the Left, he was startled, and said, 'What sort of man is this? How is it he has but one foot? Is it from Heaven?
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Themes
Inner Silencepraxis

The practice of stilling the mind and speech to open receptivity to divine knowledge or presence.

The Cook describes discarding the use of his senses and allowing his spirit to act as it wills, indicating a state of stillness and receptivity.

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Meditationpraxis

Disciplined inward attention — sitting, focused, or open-awareness practice — as a stand-alone term that umbrellas active_contemplation, inner_silence, and dhyana-style sitting.

The progression from seeing the carcass to dealing with it in a spirit-like manner implies a disciplined inward attention cultivated over years.

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Wu Weipraxis

Effortless action aligned with the spontaneous flow of the Dao; non-coercive, non-striving conduct that yields results without forcing — the sage acts without acting.

[auto] The passage centers on Cook Ding's effortless action that follows the natural lines of the ox without forcing, perfectly exemplifying non-coercive conduct aligned with the Dao.

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