Paracelsus: Coelum Philosophorum, or Book of Vexations · 9 of 14 · tr. Arthur Edward Waite
Section 1i
But what must be done besides to Mercury in order that its moisture and heat may be taken away, and in their place such an extreme cold introduced as to congeal, consolidate, and altogether mortify the Mercury?
Do what follows in the sentence subjoined: Take pure Mercury closely shut up in a silver pixis.
Fill a jar with fragments of lead, in the midst of which place the pixis.
Let it melt for twenty-four hours, that is, for a natural day.
This takes away from Mercury his occult heat, adds an external heat, and contributes the internal coldness of Saturn and Luna (which are both planets of a cold nature), whence and whereby the Mercury is compelled to congeal, consolidate, and harden.
Note also that the coldness (which Mercury needs in its consolidation and mortification) is not perceptible by the external sense, as the cold of snow or of ice is, but rather, externally, there is a certain amount of apparent heat.
Just in the same way is it with the heat of Mercury, which is the cause of its fluidity.
It is not an external heat, perceptible in the same way as one of our qualities.
Nay, externally a sort of coldness is perceptible.
Whence the Sophists (a race which has more talk than true wisdom) falsely assert that Mercury is cold and of a moist nature, so that they go on and advise us to congeal it by means of heat; whereas heat only renders it more fluid, as they daily find out to their own loss rather than gain.
True Alchemy which alone, by its unique Art, teaches how to fabricate Sol and Luna from the five imperfect metals, allows no other receipt than this, which well and truly says: Only from metals, in metals, by metals, and with metals, are perfect metals made, for in some things is Luna and in other metals is Sol.
WHAT MATERIALS AND INSTRUMENTS ARE REQUIRED IN ALCHEMY.
There is need of nothing else but a foundry, bellows, tongs, hammers, cauldrons, jars, and cupels made from beechen ashes.
Afterwards, lay on Saturn, Jupiter, Mars, Sol, Venus, Mercury, and Luna.
Let them operate finally up to Saturn.
THE METHOD OF SEEKING MINERALS.
The hope of finding these in the earth and in stones is most uncertain, and the labour very great.
However, since this is the first mode of getting them, it is in no way to be despised, but greatly commended.
Such a desire or appetite ought no more to be done away with than the lawful inclination of young people, and those in the prime of life, to matrimony.
As the bees long for roses and other flowers for the purpose of making honey and wax, so, too, men – apart from avarice or their own aggrandisement – should seek to extract metal from the earth.
He who does not seek it is not likely to find it.
God dowers men not only with gold or silver, but also with poverty, squalor, and misery.
He has given to some a singular knowledge of metals and minerals, whereby they have obtained an easier and shorter method of fabricating gold and silver, without digging and smelting them, than they were commonly accustomed to, by extracting them from their primitive bodies.
And this is the case not only with subterranean substances, but by certain arts and knowledge they have extracted them from the five metals generally (that is to say, from metals excocted from minerals which are imperfect and called metals), viz., from Mercury, Jupiter, Saturn, Mars and Venus, from all of which, and from each of them separately, Sol and Luna can be made, but from one more easily than from another.
§ Ask Guru about this passage →Themes
Alchemical Workpraxis
The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.
The passage is a detailed instruction for transforming Mercury into a hardened state through specific material combinations and processes.
All passages →Correspondencecosmology
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The text links celestial bodies (Saturn, Luna) to the properties of Mercury and metals, reflecting cosmic structures in alchemical practice.
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