Agrippa: The Philosophy of Natural Magic, Chapter XXIII — How We Shall Know What Stars Natural Things Are Under, and What Things Are Under the Sun, Which Are Called Solary · 1 of 3 · tr. Henry Morley; L. W. de Laurence ed.
Chapter XXIII, Section 1a
CHAPTER XXIII.
How We Shall Know What Stars Natural Things Are Under, and What Things Are Under the Sun, Which Are Called Solary .
Now it is very hard to know what Star or Sign every thing is under; yet it is known through the imitation of their rays, or motion, or figure of the superiors.
Also some of them are known by their colors and odors; also some by the effects of their operations, answering to some Stars.
So, then, Solary things, or things under the power of the Sun, are amongst Elements, the lucid flame; in the humors, the purer blood and spirit of life; amongst tastes, that which is quick, mixed with sweetness; amongst metals, gold, by reason of its splendor, and its receiving that from the Sun which makes it cordial; and amongst stones, they which resemble the rays of the Sun by their golden sparklings, as doth the glittering stone aetites, which hath power against the falling sickness and poisons.
So also the stone which is called the Eye of the Sun, being of a figure like to the apple of the eye, from the middle whereof shines forth a ray; it comforts the brain and strengthens the sight.
So the carbuncle, which shines by night, hath a virtue against all airy and vaporous poison.
So the chrysolite stone, which is of a light green color, in which, when it is held against the Sun, there shines forth a golden star; and this comforts those parts that serve for breathing, and helps those that be asthmatical; and if it be bored through, and the hole filled with the mane of an ass, and bound to the left arm, it drives away idle imaginations and melancholy fears, and puts away foolishness.
So the stone called iris, which is like crystal in color, being often found with six corners; when, under some roof, part of it is held against the rays of the Sun and the other part is held in the shadow, it gathers the rays of the Sun into itself, which, whilst it sends them forth, by way of reflection, makes a rainbow appear on the opposite wall.
Also the stone heliotrope, green like the jasper or emerald, beset with red specks, makes a man constant, renowned and famous; also it conduceth to long life; and the virtue of it, indeed, is most wonderful upon the beams of the Sun, which it is said to turn into blood ( i.
e.
), to appear of the color of blood, as if the Sun were eclipsed, viz., when it is joined to the juice of a herb of the same name, and be put into a vessel of water.
There is also another virtue of it more wonderful, and that is upon the eyes of men, whose sight it doth so dim and dazzle that it doth not suffer him that carries it to see it, and this it doth not do without the help of the herb of the same name, which also is called heliotrope ( i.
e.
), following the Sun.
These virtues doth Albertus Magnus and William of Paris confirm in their writings.
The stone hyacinth also hath a virtue from the Sun against poisons and pestiferous vapors; it makes him that carries it to be safe and acceptable; it conduceth also to riches and wit; it strengthens the heart; being held in the mouth it doth wonderfully cheer up the mind.
Themes
◆Correspondencecosmology
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The passage explicitly states that we know the associations through the imitation of stars' rays, motion, figure, colors, and odors, reflecting the Hermetic axiom 'as above, so below'.
All passages →◆Cosmic Sympathycosmology
The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.
The text links the operation of stars to specific effects on earthly things, implying a hidden affinity between celestial and terrestrial realms.
All passages →Related passages · 4 parallels
◆western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Stones, Metals and Gemsh
“It is said to have been white originally and of such brilliancy that it could be seen many days' journey from Mecca, but as ages passed it became blackened by the tears of pilgrims and the sins of the world.
THE MAGIC OF METALS AND GEMS Ac…”
Both passages discuss the magical properties of metals and gems, associating them with celestial bodies and their influences. They share a conceptual framework of astrological and mystical correspondences, though they use different examples and traditions.
◆western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Stones, Metals and Gemsi
“The same multiplied by 20 gives 432,000, the fourth age, Kali-Yuga ." (It will be noted that these multipliers decrease in inverse ratio to the Pythagorean tetractys: 1, 2, 3, and 4.) H.
P.
Blavatsky declares that Orpheus taught his follo…”
Both passages discuss the mystical properties of stones and gems, particularly their association with celestial bodies and their use in magical practices. They share a conceptual framework of gemstones having specific virtues and being linked to planetary influences, which is a common theme in esoteric traditions.
◆western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Stones, Metals and Gemsj
“In describing the regalia of a magician, Éliphas Lévi declares that on Sunday (the day of the sun) he should carry in his right hand a golden wand, set with a ruby or chrysolite; on Monday (the day of the moon) he should wear a collar of th…”
Both passages discuss the correspondence between celestial bodies (planets and zodiac signs) and natural objects (stones, metals, and gems). They share the conceptual framework of assigning specific attributes and properties to these objects based on their astrological associations, indicating a genuine conceptual parallel.
◆western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|7. The Fiery Swordc
“The talismans of the seven spirits are engraved either on precious stones, such as the carbuncle, crystal, diamond, emerald, agate, sapphire and onyx, or upon metals, such as gold, silver, iron, copper, fixed mercury, pewter and lead.
The…”
Both passages discuss the symbolic and magical properties of stones and metals associated with celestial bodies, particularly the Sun. They share a conceptual framework of correspondences between celestial and terrestrial elements, though the specific symbols and details differ.