Select Works, Section 510
◆Body As Obstacleanthropology
The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.
Earth-based arts are described as following sense models and unable to refer directly to the higher sphere without mediation.
All passages →◆Unity Of Beingtheology
The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.
Earthly music and crafts are described as representations or portions of the Power and rhythm existing in the Ideal Realm.
All passages →◇Active Contemplationpraxis
A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.
[auto] The passage describes a skill that 'meditates the symmetry reigning among all beings' as a connection to the Power There.
All passages →◇Emanation Hierarchycosmology
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
[auto] The text describes a structured descent from the 'Intellectual Kosmos' and 'Ideal Realm' down to 'earth-based' arts and sense-order.
All passages →◇Kingdom Withinanthropology
The claim that the divine realm is present inside the individual, accessible without external mediation.
[auto] The 'Reason-Principle' is located 'in humanity,' indicating the divine ordering principle resides within the individual.
All passages →◇Logoscosmology
The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.
[auto] The passage explicitly identifies the 'Reason-Principle in humanity' as the necessary mediator through which earthly arts connect to the higher Intellectual sphere.
All passages →◇Numerical Mysticismtheology
Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.
[auto] Symmetry, rhythm, and melody are presented as the structural links between earthly crafts and the divine Ideal Realm.
All passages →