Select Works of Plotinus · 508 of 752 · tr. Thomas Taylor
Select Works, Section 485
Section 7 7. Consider the universe: we are agreed that its existence and its nature come to it from beyond itself; are we, now, to imagine that its maker first thought it out in detail- the earth, and its necessary situation in the middle; water and, again, its position as lying upon the earth; all the other elements and objects up to the sky in due place and order; living beings with their appropriate forms as we know them, their inner organs and their outer limbs- and that having thus appointed every item beforehand, he then set about the execution? Such designing was not even possible; how could the plan for a universe come to one that had never looked outward? Nor could he work on material gathered from elsewhere as our craftsmen do, using hands and tools; feet and hands are of the later order. One way, only, remains: all things must exist in something else; of that prior- since there is no obstacle, all being continuous within the realm of reality- there has suddenly appeared a sign, an image, whether given forth directly or through the ministry of soul or of some phase of soul, matters nothing for the moment: thus the entire aggregate of existence springs from the divine world, in greater beauty There because There unmingled but mingled here. From the beginning to end all is gripped by the Forms of the Intellectual Realm: Matter itself is held by the Ideas of the elements and to these Ideas are added other Ideas and others again, so that it is hard to work down to crude Matter beneath all that sheathing of Idea. Indeed since Matter itself is in its degree, an Idea- the lowest- all this universe is Idea and there is nothing that is not Idea as the archetype was. And all is made silently, since nothing had part in the making but Being and Idea further reason why creation went without toil. The Exemplar was the Idea of an All, and so an All must come into being. Thus nothing stood in the way of the Idea, and even now it dominates, despite all the clash of things: the creation is not hindered on its way even now; it stands firm in virtue of being All. To me, moreover, it seems that if we ourselves were archetypes, Ideas, veritable Being, and the Idea with which we construct here were our veritable Essence, then our creative power too would toillessly effect its purpose: as man now stands, he does not produce in his work a true image of himself: become man, he has ceased to be the All: ceasing to be man- we read- "he soars aloft and administers the Kosmos entire"; restored to the All he is maker of the All. But- to our immediate purpose- it is possible to give a reason why the earth is set in the midst and why it is round and why the ecliptic runs precisely as it does, but, looking to the creating principle, we cannot say that because this was the way therefore things were so planned: we can say only that because the All is what it is, therefore there is a total of good; the causing principle, we might put it, reached the conclusion before all formal reasoning and not from any premises, not by sequence or plan but before either, since all of that order is later, all reason, demonstration, persuasion. Since there is a Source, all the created must spring from it and in accordance with it; and we are rightly told not to go seeking the causes impelling a Source to produce, especially when this is the perfectly sufficient Source and identical with the Term: a Source which is Source and Term must be the All-Unity, complete in itself.
Related passages · 9 parallels
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 2 (part 1)
“p.
58 CHAPTER II.
THE UNITY OF THE ALL.
"We are all one body in Christ, and have all the Spirit of Christ within our reach.
If, then, we enter into the Christ, we may see and know everything by the power of His Spirit." ( Forty Question…”
Both passages explore the concept of the unity and creation of the universe from a divine source, emphasizing the limitations of human understanding and the eternal nature of the divine. They share a mystical perspective on the interconnectedness of all things and the difficulty of describing the divine using finite terms.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 3 (part 1)
“p.
71 CHAPTER III.
THE SEVEN PROPERTIES OR QUALITIES OF ETERNAL NATURE.
1 I.
♄ ☾ II.
☿ ♃ III.
♂ ♀ IV.
☉ V.
♀ ♂ VI.
♃ ☿ VII.
☾ ♄ When the Eternal One, in its aspect as a Trinity and with reference to divine wisdom, reveals itself o…”
Both passages discuss the manifestation of divine essence through multiple qualities or forms. Boehme's seven properties of eternal nature and Plotinus' description of the universe's creation through the Intellectual Realm both explore the idea of a divine source manifesting in various forms or qualities.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 4 (part 3)
“7.) "We cannot reasonably suppose any formation or differentiation to have existed in the eternal One from which, or according to which (formation) something could have been made; for if such a form, or predisposition to making a form, had…”
Both passages explore the nature of creation and the relationship between the divine and the created world, emphasizing the ineffable and mysterious nature of divine creation and the idea that creation is an expression of the divine essence.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 8)
“They are fire-flames, illumined by the light of God, but we attain the great fountain of meekness and love which is welling up within the holy essentiality of God." 1 ( Menschwerdung , i.
5.) Man comprises all three principles: the princip…”
Both passages explore the relationship between the divine and the material world, emphasizing the higher beauty and purity of the divine realm compared to its manifestations in the physical world. They also discuss the concept of creation and the role of the artist or creator in bringing forth beauty and form.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 6 (part 10)
“126:1 The six "days" are the activities of the seven forms of eternal nature, the seventh is their centre or rest, or the "temperature." In the seventh, "God" appears as the "Christ." (See Grace , iii.
39.) 128:1 Three is the number of for…”
Both passages discuss the interconnectedness of the universe and the role of divine principles in creation. They share a mystical perspective on the nature of existence, emphasizing the unity and harmony of all things, though they come from different traditions.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 7 (part 4)
“28.) "In Paradise the substance of the divine world penetrated the substance belonging to time, comparable to the power of the sun penetrating a fruit growing on a tree, and endowing it with such qualities as render it lovely to the sight a…”
Both passages discuss the relationship between the divine and the material world, emphasizing the higher beauty and perfection of the divine realm compared to its manifestation in the physical world. They explore the concept of divine art and the ideal forms that inspire creation.
◆christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 7 (part 6)
“2.) There existed in man also the third principle, wherein resides sensual desire.
He was not endowed with this principle for the purpose of surrendering himself to it, but that he might introduce it into the light of God, and glorify Him…”
Both passages explore the relationship between the divine and the material world, emphasizing the higher beauty and purity of the divine realm compared to its manifestations in the physical world. They also discuss the role of human beings or artists in reflecting or manifesting divine principles.
◆western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter I (part 7)
“But why seven, exactly, he is unable to explain.
For physicists the rôle of the "creation of the world" is played by the atomic theory and the ether, with its wave-like vibrations, and further by the electrons, and the energetic, or electr…”
Both passages critique the limitations of contemporary scientific theories and the human tendency to cling to them despite their flaws. They also explore the idea of a deeper, more fundamental reality beyond what is immediately apparent, though they do so from different philosophical and mystical perspectives.
◆western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XIV (part 4)
“He hears "the voices of stones," understands the whisperings of ancient walls, of tumuli, of mountains, rivers, woods and plains.
He hears " the voice of the silence ," understands the psychological difference between silences, knows that…”
Both passages discuss the relationship between the phenomenal and noumenal worlds, emphasizing that the true essence of things is reflected in their appearances. They both argue that art and contemplation are key to understanding these deeper realities.