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Select Works of Plotinus · 240 of 752 · tr. Thomas Taylor

Select Works, Section 238 (part 1)

Section 6 6. the Intellectual Essence, wholly of the order of Ideal-form, must be taken as impassive has been already established. But Matter also is an incorporeal, though after a mode of its own; we must examine, therefore, how this stands, whether it is passive, as is commonly held, a thing that can be twisted to every shape and Kind, or whether it too must be considered impassive and in what sense and fashion so. But in engaging this question and defining the nature of matter we must correct certain prevailing errors about the nature of the Authentic Existent, about Essence, about Being. The Existent- rightly so called- is that which has authentic existence, that, therefore, which is existent completely, and therefore, again, that which at no point fails in existence. Having existence perfectly, it needs nothing to preserve it in being; it is, on the contrary, the source and cause from which all that appears to exist derives that appearance. This admitted, it must of necessity be in life, in a perfect life: if it failed it would be more nearly the nonexistent than the existent. But: The Being thus indicated is Intellect, is wisdom unalloyed. It is, therefore, determined and rounded off; it is nothing potentially that is not of the same determined order, otherwise it would be in default. Hence its eternity, its identity, its utter irreceptivity and impermeability. If it took in anything, it must be taking in something outside itself, that is to say, Existence would at last include non-existence. But it must be Authentic Existence all through; it must, therefore, present itself equipped from its own stores with all that makes up Existence so that all stands together and all is one thing. The Existent [Real Being] must have thus much of determination: if it had not, then it could not be the source of the Intellectual Principle and of Life which would be importations into it originating in the sphere of non-Being; and Real Being would be lifeless and mindless; but mindlessness and lifelessness are the characteristics of non-being and must belong to the lower order, to the outer borders of the existent; for Intellect and Life rise from the Beyond-Existence [the Indefinable Supreme]- though Itself has no need of them- and are conveyed from It into the Authentic Existent. If we have thus rightly described the Authentic Existent, we see that it cannot be any kind of body nor the under-stuff of body; in such entities the Being is simply the existing of things outside of Being. But body, a non-existence? Matter, on which all this universe rises, a non-existence? Mountain and rock, the wide solid earth, all that resists, all that can be struck and driven, surely all proclaims the real existence of the corporeal? And how, it will be asked, can we, on the contrary, attribute Being, and the only Authentic Being, to entities like Soul and Intellect, things having no weight or pressure, yielding to no force, offering no resistance, things not even visible? Yet even the corporeal realm witnesses for us; the resting earth has certainly a scantier share in Being than belongs to what has more motion and less solidity- and less than belongs to its own most upward element, for fire begins, already, to flit up and away outside of the body-kind. In fact, it appears to be precisely the most self-sufficing that bear least hardly, least painfully, on other things, while the heaviest and earthiest bodies- deficient, falling, unable to bear themselves upward- these, by the very down-thrust due to their feebleness, offer the resistance which belongs to the falling habit and to the lack of buoyancy.
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Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The analogy between musical composition (Melody/Musician/Strings) and metaphysical causality suggests a structural reflection between art and cosmic order.

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Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

[auto] The passage emphasizes that the Melodic Principle remains unmoved and unaffected, aligning with the doctrine of a simple, undivided divine nature.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

[auto] The text describes a causal chain where movement originates from a higher principle dictating to the musician and strings, reflecting a downward flow of causation.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] The Melodic Principle acts as an ordering reason or dictating force that mediates between the higher judgement and the moved strings.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

The reference to a singular Melodic Principle that dictates without being affected implies an undivided first principle.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The analogy of an unmoved principle dictating movement presents a paradoxical image to illustrate spiritual causation.

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