THE WAR MEDICINE Some warriors had medicine to change their shape as they pleased, so that they could escape from their enemies. Once one of these medicine warriors who had been away from home came back and found a strong party of the enemy attacking the settlement while nearly all the men were off on a hunt. The town was on the other side of the river, but his grandmother was there, so he made up his mind to save her. Going down the stream a little way, he hunted until he found a mussel shell. With his medicine he changed this to a canoe, in which he crossed over to his grandmother’s house, and found her sitting there, waiting for the enemy to come and kill her. Again he made medicine and put her into a small gourd which he fastened to his belt. Then climbing a tree he changed himself to a swamp woodcock, and with one cry he spread his wings and flew across to the other side of the river, where both took their natural shape again and made their way through the woods to another settlement. There was another great Cherokee warrior, named Dasiʻgiya′gĭ, or Shoe-boots, as the whites called him, who lived on Hightower creek, in Georgia. He was so strong that it was said he could throw a corn mortar over a house, and with his magic power could clear a river at one jump. His war medicine was an uktena scale and a very large turtle shell which he got from the Shawano. In the Creek war he put this scale into water and bathed his body with the water, and also burned a piece of the turtle shell and drew a black line around his men with the coal, and he was never wounded and never had a man killed. Some great warriors had a medicine by the aid of which they could dive under the ground as under water, come up among the enemy to kill and scalp one, then dive under the ground again and come up among their friends. Some war captains knew how to put their lives up in the tree tops during a fight, so that even if they were struck by the enemy they could not be killed. Once, in a battle with the Shawano, the Cherokee leader stood directly in front of the enemy and let the whole party shoot at him, but was not hurt until the Shawano captain, who knew this war medicine himself, ordered his men to shoot into the branches above the head of the other. They did this and the Cherokee leader fell dead.
The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.
The passage depicts a worldview where natural objects like mussel shells, gourds, and trees are imbued with spiritual agency or can be manipulated by medicine to serve as vessels for human souls.
Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.
The central narrative mechanism involves warriors using medicine to change their physical forms into animals (swamp woodcock) or objects (canoe, gourd) to escape danger and protect kin.