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Myths of the Cherokee · 116 of 220

Myth 78b

They went down a path that had a cornfield on one side and a peach orchard fenced in on the other, until they came to another trail, and the man said, “Go along this trail across that ridge and you will come to the river road that will bring you straight to your home, and now I’ll go back to the house.” So the man went back to the house and the boy went on along the trail, but when he had gone a little way he looked back, and there was no cornfield or orchard or fence or house; nothing but trees on the mountain side. He thought it very queer, but somehow he was not frightened, and went on until he came to the river trail in sight of his home. There were a great many people standing about talking, and when they saw him they ran toward him shouting, “Here he is! He is not drowned or killed in the mountains!” They told him they had been hunting him ever since yesterday noon, and asked him where he had been. “A man took me over to his house just across the ridge, and I had a fine dinner and a good time with the children,” said the boy, “I thought Udsi′skală here”—that was the name of the man he had seen at dinner—“would tell you where I was.” But Udsi′skală said, “I haven’t seen you. I was out all day in my canoe hunting you. It was one of the Nûñnĕ′hĭ that made himself look like me.” Then his mother said, “You say you had dinner there? ” “Yes, and I had plenty, too,” said the boy; but his mother answered, “There is no house there—only trees and rocks—but we hear a drum sometimes in the big bald above. The people you saw were the Nûñnĕ′hĭ.” Once four Nûñnĕ′hĭ women came to a dance at Nottely town, and danced half the night with the young men there, and nobody knew that they were Nûñnĕ′hĭ, but thought them visitors from another settlement. About midnight they left to go home, and some men who had come out from the townhouse to cool off watched to see which way they went. They saw the women go down the trail to the river ford, but just as they came to the water they disappeared, although it was a plain trail, with no place where they could hide. Then the watchers knew they were Nûñnĕ′hĭ women. Several men saw this happen, and one of them was Wafford’s father-in-law, who was known for an honest man. At another time a man named Burnt-tobacco was crossing over the ridge from Nottely to Hemptown in Georgia and heard a drum and the songs of dancers in the hills on one side of the trail. He rode over to see who could be dancing in such a place, but when he reached the spot the drum and the songs were behind him, and he was so frightened that he hurried back to the trail and rode all the way to Hemptown as hard as he could to tell the story. He was a truthful man, and they believed what he said. There must have been a good many of the Nûñnĕ′hĭ living in that neighborhood, because the drumming was often heard in the high balds almost up to the time of the Removal. On a small upper branch of Nottely, running nearly due north from Blood mountain, there was also a hole, like a small well or chimney, in the ground, from which there came up a warm vapor that heated all the air around.
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting the landscape (mountains, balds, holes) as populated by distinct spiritual agents (Nûñnĕ′hĭ) who inhabit specific places and interact with humans.

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Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The core narrative mechanism involves the Nûñnĕ′hĭ assuming human forms (a man named Udsi′skală, women at a dance) to deceive humans, and then vanishing or revealing their true nature.

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