Myths of the Cherokee · 92 of 220

Myth 61

THE BULLFROG LOVER A young man courted a girl, who liked him well enough, but her mother was so much opposed to him that she would not let him come near the house. At last he made a trumpet from the handle of a gourd and hid himself after night near the spring until the old woman came down for water. While she was dipping up the water he put the trumpet to his lips and grumbled out in a deep voice like a bullfrog’s: Yañdaska′gă hûñyahu′skă, Yañdaska′gă hûñyahu′skă. The faultfinder will die, The faultfinder will die. The woman thought it a witch bullfrog, and was so frightened that she dropped her dipper and ran back to the house to tell the people They all agreed that it was a warning to her to stop interfering with her daughter’s affairs, so she gave her consent, and thus the young man won his wife. There is another story of a girl who, every day when she went down to the spring for water, heard a voice singing, Kûnu′nŭ tû′tsahyesĭ′, Kûnu′nŭ tû′tsahyesĭ′ , “A bullfrog will marry you, A bullfrog will marry you.” She wondered much until one day when she came down she saw sitting on a stone by the spring a bullfrog, which suddenly took the form of a young man and asked her to marry him. She consented and took him back with her to the house. But although he had the shape of a man there was a queer bullfrog look about his face, so that the girl’s family hated him and at last persuaded her to send him away. She told him and he went away, but when they next went down to the spring they heard a voice: Ste′tsĭ tûya′husĭ, Ste′tsĭ tûyahusĭ′ , “Your daughter will die, Your daughter will die,” and so it happened soon after. As some tell it, the lover was a tadpole, who took on human shape, retaining only his tadpole mouth. To conceal it he constantly refused to eat with the family, but stood with his back to the fire and his face screwed up, pretending that he had a toothache. At last his wife grew suspicious and turning him suddenly around to the firelight, exposed the tadpole mouth, at which they all ridiculed him so much that he left the house forever.

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Themes

Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting natural entities like bullfrogs and tadpoles as possessing human consciousness, agency, and the capacity for social interaction and marriage.

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Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The central narrative mechanism involves a bullfrog or tadpole transforming into a human lover and vice versa, illustrating form-mutability as a constitutional property of these beings.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The young man uses a gourd trumpet to utter specific phrases that function as magical warnings or curses, directly causing fear in the mother and predicting the daughter's death.

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