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Myths of the Cherokee · 73 of 220

Myth 49a

THE SNAKE TRIBE The generic name for snakes is inădû′ . They are all regarded as anida′wehĭ , “supernaturals,” having an intimate connection with the rain and thunder gods, and possessing a certain influence over the other animal and plant tribes. It is said that the snakes, the deer, and the ginseng act as allies, so that an injury to one is avenged by all. The feeling toward snakes is one of mingled fear and reverence, and every precaution is taken to avoid killing or offending one, especially the rattlesnake. He who kills a snake will soon see others; and should he kill a second one, so many will come around him whichever way he may turn that he will become dazed at the sight of their glistening eyes and darting tongues and will go wandering about like a crazy man, unable to find his way out of the woods. To guard against this misfortune there are certain prayers which the initiated say in order that a snake may not cross their path, and on meeting the first one of the season the hunter humbly begs of him, “Let us not see each other this summer.” Certain smells, as that of the wild parsnip, and certain songs, as those of the Unika′wĭ or Townhouse dance, are offensive to the snakes and make them angry. For this reason the Unika′wĭ dance is held only late in the fall, after they have retired to their dens for the winter. When one dreams of being bitten by a snake he must be treated the same as for an actual bite, because it is a snake ghost that has bitten him; otherwise the place will swell and ulcerate in the same way, even though it be years afterwards. For fear of offending them, even in speaking, it is never said that a man has been bitten by a snake, but only that he has been “scratched by a brier.” Most of the beliefs and customs in this connection have more special reference to the rattlesnake. The rattlesnake is called utsa′nătĭ , which may be rendered, “he has a bell,” alluding to the rattle. According to a myth given elsewhere, he was once a man, and was transformed to his present shape that he might save the human race from extermination by the Sun, a mission which he accomplished successfully after others had failed. By the old men he is also spoken of as “the Thunder’s necklace” (see the story of Ûñtsaiyĭ′), and to kill one is to destroy one of the most prized ornaments of the thunder god. In one of the formulas addressed to the Little Men, the sons of the Thunder, they are implored to take the disease snake to themselves, because “it is just what you adorn yourselves with.” For obvious reasons the rattlesnake is regarded as the chief of the snake tribe and is feared and respected accordingly. Few Cherokee will venture to kill one except under absolute necessity, and even then the crime must be atoned for by asking pardon of the snake ghost, either in person or through the mediation of a priest, according to a set formula. Otherwise the relatives of the dead snake will send one of their number to track up the offender and bite him so that he will die (see story, “The Rattlesnake’s Vengeance”). The only thing of which the rattlesnake is afraid is said to be the plant known as campion, or “rattlesnake’s master” ( Silene stellata ), which is used by the doctors to counteract the effect of the bite, and it is believed that a snake will flee in terror from the hunter who carries a small piece of the root about his person.
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, describing snakes as 'supernaturals' with spirits, personalities, and the capacity to interact with humans, plants, and gods.

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

The belief that snakes, deer, and ginseng act as allies where injury to one is avenged by all suggests a hidden affinity or interconnectedness between distinct natural entities.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The passage details specific prayers and humble petitions used by hunters to avoid offending snakes or to seek pardon for killing one.

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Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The text recounts a myth where the rattlesnake was once a man transformed into his current shape to save humanity.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The use of specific formulas, smells, and songs to influence the behavior of spirits (snakes) aligns with the practice of engaging divine or preternatural powers through consecrated material actions.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The text describes how specific songs (like the Unika'wĭ) and smells can make snakes angry or cause them to flee, attributing causal magical power to these utterances and substances.

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Related passages · 1 parallel
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Fishes, Insects, Animals, Reptiles and Birdsi
The serpent mounds of the American Indian; the carved-stone snakes of Central and South America; the hooded cobras of India; Python, the great snake o the Greeks; the sacred serpents of the Druids; the Midgard snake of Scandinavia; the Naga…”
Both passages highlight the reverence and symbolic significance of snakes in different cultural traditions. The Cherokee passage emphasizes the spiritual connection and protective role of snakes, particularly the rattlesnake, while the second passage discusses the universal veneration of snakes as symbols of wisdom, salvation, and immortality across various ancient cultures.