Myths of the Cherokee · 47 of 220

Myth 28

WHAT BECAME OF THE RABBIT The Deer was very angry at the Rabbit for filing his teeth and determined to be revenged, but he kept still and pretended to be friendly until the Rabbit was off his guard. Then one day, as they were going along together talking, he challenged the Rabbit to jump against him. Now the Rabbit is a great jumper, as every one knows, so he agreed at once. There was a small stream beside the path, as there generally is in that country, and the Deer said: “Let’s see if you can jump across this branch. We’ll go back a piece, and then when I say Kû! then both run and jump.” “All right,” said the Rabbit. So they went back to get a good start, and when the Deer gave the word Kû! they ran for the stream, and the Rabbit made one jump and landed on the other side. But the Deer had stopped on the bank, and when the Rabbit looked back the Deer had conjured the stream so that it was a large river. The Rabbit was never able to get back again and is still on the other side. The rabbit that we know is only a little thing that came afterwards.

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Themes

◆Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage depicts a world populated by sentient, speaking animals (Deer and Rabbit) who possess human-like agency, emotions, and magical powers, embodying the core animistic worldview where nature is alive with spirit.

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◆Cosmogonycosmology

Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.

The passage functions as an etiological myth explaining the current state of the world (why rabbits are small and live on the other side of the river), which is a sub-genre of cosmogonic or origin narratives.

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