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Myths of the Cherokee · 44 of 220

Myth 25

FLINT VISITS THE RABBIT In the old days Tăwi′skălă (Flint) lived up in the mountains, and all the animals hated him because he had helped to kill so many of them. They used to get together to talk over means to put him out of the way, but everybody was afraid to venture near his house until the Rabbit, who was the boldest leader among them, offered to go after Flint and try to kill him. They told him where to find him, and the Rabbit set out and at last came to Flint’s house. Flint was standing at his door when the Rabbit came up and said, sneeringly, “ Siyu′! Hello! Are you the fellow they call Flint?” “Yes; that’s what they call me,” answered Flint. “Is this where you live?” “Yes; this is where I live.” All this time the Rabbit was looking about the place trying to study out some plan to take Flint off his guard. He had expected Flint to invite him into the house, so he waited a little while, but when Flint made no move, he said, “Well, my name is Rabbit; I’ve heard a good deal about you, so I came to invite you to come and see me.” Flint wanted to know where the Rabbit’s house was, and he told him it was down in the broom-grass field near the river. So Flint promised to make him a visit in a few days. “Why not come now and have supper with me?” said the Rabbit, and after a little coaxing Flint agreed and the two started down the mountain together. When they came near the Rabbit’s hole the Rabbit said, “There is my house, but in summer I generally stay outside here where it is cooler.” So he made a fire, and they had their supper on the grass. When it was over, Flint stretched out to rest and the Rabbit got some heavy sticks and his knife and cut out a mallet and wedge. Flint looked up and asked what that was for. “Oh,” said the Rabbit, “I like to be doing something, and they may come handy.” So Flint lay down again, and pretty soon he was sound asleep. The Rabbit spoke to him once or twice to make sure, but there was no answer. Then he came over to Flint and with one good blow of the mallet he drove the sharp stake into his body and ran with all his might for his own hole; but before he reached it there was a loud explosion, and pieces of flint flew all about. That is why we find flint in so many places now. One piece struck the Rabbit from behind and cut him just as he dived into his hole. He sat listening until everything seemed quiet again. Then he put his head out to look around, but just at that moment another piece fell and struck him on the lip and split it, as we still see it.
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, depicting animals (Rabbit) and geological entities (Flint) as possessing human-like personalities, speech, agency, and social relationships within the natural landscape.

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Cosmogonycosmology

Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.

The narrative functions as an etiological myth explaining the origin of a natural phenomenon (the widespread distribution of flint and the Rabbit's split lip) through a primordial event.

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Related passages · 1 parallel
celtic|The Mabinogion|Tale PEREDUR THE SON OF EVRAWCac
And he destroys the branches of the best trees in the forest, and he kills every animal that he meets with therein; and those that he doth not slay perish of hunger. And what is worse than that, he comes every night, and drinks up the fish…”
Both passages feature a trickster figure (Rabbit and Peredur) who outsmarts a powerful adversary (Flint and the black man of the cromlech) through cunning and deception. The structural parallel lies in the use of a clever protagonist who employs a plan to overcome a seemingly invincible foe.