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Myths of the Cherokee · 31 of 220

Myth 15e

The underlying idea is that the fetid smell repels the disease spirit, and upon the same principle the buzzard, which is so evidently superior to carrion smells, is held to be powerful against the same diseases. The beaver ( dâ′yĭ ), by reason of its well-known gnawing ability, against which even the hardest wood is not proof, is invoked on behalf of young children just getting their permanent teeth. According to the little formula which is familiar to nearly every mother in the tribe, when the loosened milk tooth is pulled out or drops out of itself, the child runs with it around the house, repeating four times, “ Dâ′yĭ, skĭntă′ (Beaver, put a new tooth into my jaw)” after which he throws the tooth upon the roof of the house. In a characteristic song formula to prevent frostbite the traveler, before starting out on a cold winter morning, rubs his feet in the ashes of the fire and sings a song of four verses, by means of which, according to the Indian idea, he acquires in turn the cold-defying powers of the wolf, deer, fox, and opossum, four animals whose feet, it is held, are never frostbitten. After each verse he imitates the cry and the action of the animal. The words used are archaic in form and may be rendered “I become a real wolf,” etc. The song runs: Tsûñ′wa′ʻya-ya′ (repeated four times), wa + a! (prolonged howl). (Imitates a wolf pawing the ground with his feet.) Tsûñ′-ka′wi-ye′ (repeated four times), sauh! sauh! sauh! sauh! (Imitates call and jumping of a deer.) Tsûñ′-tsu′ʻla-ya′ (repeated four times), gaih! gaih! gaih! gaih! (Imitates barking and scratching of a fox.) Tsûñ′-sĭ′kwa-ya′ (repeated four times), kĭ +. (Imitates the cry of an opossum when cornered, and throws his head back as that animal does when feigning death.)
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Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage is a quintessential example of animism, describing a worldview where animals (beaver, wolf, deer, fox, opossum) and natural phenomena possess inherent spiritual power and personality that can be invoked or imitated for healing and protection.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The logic of the rituals relies on the principle of correspondence, where the properties of animals (e.g., the beaver's gnawing, the wolf's cold-resistant feet) are transferred to humans through sympathetic imitation and invocation.

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Shapeshifting Transformationtheology

Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.

The passage describes a ritual where the practitioner sings 'I become a real wolf' and imitates animal actions to acquire their specific powers, indicating a belief in the ability to ritually assume or merge with animal forms.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The text details specific songs, formulas, and repeated utterances (e.g., 'Dâ′yĭ, skĭntă′') that are believed to directly cause physical changes, such as growing new teeth or preventing frostbite, demonstrating the magical efficacy of spoken words.

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