Our people have always claimed that the stone arrows which are found so generally throughout the country are the ones that the first man used in his battle with the animals.
It is not recorded in our traditions, much less is it within the memory of our old men, that we have ever made or used similar arrow-heads.
Some have tried to make use of them for shooting fish under water, but with little success, and they are absolutely useless with the Indian bow which was in use when America was discovered.
It is possible that they were made by some pre-historic race who used much longer and stronger bows, and who were workers in stone, which our people were not.
Their stone implements were merely natural boulders or flint chips, fitted with handles of raw-hide or wood, except the pipes, which were carved from a species of stone which is soft when first quarried, and therefore easily worked with the most primitive tools.
Practically all the flint arrow-heads that we see in museums and elsewhere were picked up or ploughed up, while some have been dishonestly sold by trafficking Indians and others, embedded in trees and bones.
We had neither devil nor hell in our religion until the white man brought them to us, yet Unk-to-mee, the Spider, was doubtless akin to that old Serpent who tempted mother Eve.
He is always characterized as tricky, treacherous, and at the same time affable and charming, being not without the gifts of wit, prophecy, and eloquence.
He is an adroit magician, able to assume almost any form at will, and impervious to any amount of ridicule and insult.
Here we have, it appears, the elements of the story in Genesis; the primal Eden, the tempter in animal form, and the bringing of sorrow and death upon earth through the elemental sins of envy and jealousy.
The warning conveyed in the story of Unk-to-mee was ever used with success by Indian parents, and especially grandparents, in the instruction of their children.
Ish-na-e-cha-ge, on the other hand, was a demigod and mysterious teacher, whose function it was to initiate the first man into his tasks and pleasures here on earth.
After the battle with the animals, there followed a battle with the elements, which in some measure parallels the Old Testament story of the flood.
In this case, the purpose seems to have been to destroy the wicked animal people, who were too many and too strong for the lone man.
The legend tells us that when fall came, the First-Born advised his younger brother to make for himself a warm tent of buffalo skins, and to store up much food.
No sooner had he done this than it began to snow, and the snow fell steadily during many moons.
The Little Boy Man made for himself snow-shoes, and was thus enabled to hunt easily, while the animals fled from him with difficulty.
Finally wolves, foxes, and ravens came to his door to beg for food, and he helped them, but many of the fiercer wild animals died of cold and starvation.
One day, when the hungry ones appeared, the snow was higher than the tops of the teepee poles, but the Little Boy Man’s fire kept a hole open and clear.
Down this hole they peered, and lo!
the man had rubbed ashes on his face by the advice of his Elder Brother, and they both lay silent and motionless on either side of the fire.
Then the fox barked and the raven cawed his signal to the wandering tribes, and they all rejoiced and said: “Now they are both dying or dead, and we shall have no more trouble!” But the sun appeared, and a warm wind melted the snow-banks, so that the land was full of water.
The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.
The passage describes a worldview where animals (wolves, foxes, ravens) possess human-like agency and speech, and spirits like the Spider (Unk-to-mee) and demigods interact directly with humans in the natural landscape.
Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.
The passage recounts origin narratives including the 'battle with the animals' by the first man and a flood story that parallels the Old Testament, detailing how the world and human condition came to be.
Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.
The Elder Brother advises the younger brother to prepare for the snow, indicating divine guidance ordering human affairs toward survival.
Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.
The flood legend describes a purpose to destroy the wicked animal people, functioning as a form of collective judgment.
Form-mutability as a constitutional property of divine and preternatural beings — gods, heroes, spirits, and their human practitioners possessing inherent capacity to alter form across human, animal, plant, or elemental states. Loki and Odin's transformations in Norse, Math's pigs and Blodeuwedd's owl-shape and Pwyll's exchange with Arawn in the Mabinogion, the Greek Proteus, the Indian dasavatara, Vainamoinen's bird-flight in the Kalevala, Ovid's metamorphoses, the shamanic and witch's capacity for ritual form-change. Distinct from anthropomorphism (divine taking specific human form, single embodiment) in that anthropomorphism establishes a stable form whereas this concept establishes form's plurality and instability.
The text explicitly states that Unk-to-mee (the Spider) is an adroit magician 'able to assume almost any form at will.'