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The Egyptian Book of the Dead (Papyrus of Ani) · 337 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 98)

It has been urged that the Egyptians never advanced to pure monotheism because they never succeeded in freeing themselves from the belief in the existence of other gods, but when they say that a god has "no second," even though they mention other "gods," it is quite evident that like the Jews, they conceived him to be an entirely different being from the existences which, for the want of a better word, or because these possessed superhuman attributes, they named "gods." The powers of darkness or evil. The gods above enumerated represent the powers who were the guides and protectors and givers of life and happiness to the deceased in the new life, but from the earliest times it is clear that the Egyptians imagined the existence of other powers who offered opposition to the dead, and who are called in many places his "enemies." Like so many of the ancient gods, these powers were originally certain forces of nature, which were believed to be opposed to those which were regarded as beneficient to man, as for example darkness to light, and night to day; with darkness and night were also associated the powers which contributed in any way to obscure the light of the sun or to prevent his shining. But since the deceased was identified with Horus, or Ra, and his accompanying gods, the enemies of the one became the enemies of the other, and the welfare of the one was the welfare of the other. When the Egyptians personified the beneficent powers of nature, that is say, their gods, they usually gave to them human forms and conceived them in their own images; but when they personified the opposing powers they gave to them the shapes of noxious animals and reptiles, such as snakes and scorpions. As time went on, the moral ideas of good and right were attributed to the former, and evil and wickedness to the latter. The first personifications of light and darkness were Horus and Set, and in the combat--the prototype of the subsequent legends of Marduk and Tiamat, Bel and the Dragon, St. George and the Dragon, and many others--which took place between them, the former was always the victor. But, though the deceased was identified with Horus or Ra, the victory which the god gained over Set only benefited the spiritual body which dwelt in heaven, and did not preserve the natural body which lay in the tomb. The principal enemy of the natural body was the worm, and from the earliest times it seems that a huge worm or serpent was chosen by the Egyptians as the type of the powers which were hostile to the dead and also of [1. ###, Deut. vi., 4. Compare ###, Deut. iv., 35; and ###, Isaiah xlv., 5.] {p. cxxix} the foe against whom the Sun-god fought. Already in the pyramid of Unas a long section of the text contains nothing but formulæ, the recital of which was intended to protect the deceased from various kinds of snakes and worms.[1] These are exceedingly ancient, indeed, they may safely be said to form one of the oldest parts of the funeral literature of the Egyptians, and we find from the later editions of the Book of the Dead and certain Coptic works that the dread of the serpent as the emblem of physical and moral evil existed among the Egyptians in all generations, and that, as will be seen later, the belief in a limbo filled with snakes swayed their minds long after they had been converted to Christianity.
Themes
Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

The assertion that the deity is 'one in thine attributes' hints at a unified, undivided divine nature.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text establishes a hierarchy where the addressed deity is 'father of the gods' and other gods cast themselves at his feet.

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Fasting And Prayerpraxis

Ascetic disciplines that prepare the body and mind for spiritual receptivity or purification.

The text mentions 'Hymns of praise' and that the deity 'hearest the prayer,' indicating devotional practice.

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Monadcosmology

The absolutely simple, undivided first principle from which all multiplicity and existence flows.

The phrase 'one in thine attributes among the gods' suggests a singular, unified divine principle amidst multiplicity.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

The deity is described as 'lord of all that existeth,' implying a singular source or ruler over all existence.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The deity is addressed with human and animal characteristics such as 'beautiful bull,' 'father,' and having 'feet' and a 'shrine.'

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Asha Cosmic Ordercosmology

Truth as the fundamental structure of reality.

[auto] The deity is titled 'lord of Maat,' which corresponds to the definition of truth as the fundamental structure of reality.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

[auto] The text acknowledges the deity as one who is 'hidden in thy shrine,' suggesting a concealed aspect of the divine.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The deity is described as one who 'illuminest the universe,' indicating divine luminosity as a key attribute.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] As an excerpt from the Book of the Dead, this text functions within a ritual context designed to guide the soul through death.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The passage depicts a responsive deity who hears prayers, delivers the afflicted, and is actively involved in creation and sustenance.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] The text explicitly states that when the deity sends forth the word, the gods come into being, aligning with creation through divine speech.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] Specific divine names like Ra, Khepera, and Tmu are invoked to identify the deity's various aspects and powers.

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Related passages · 7 parallels
greek_mystery|Orphic Hymns|Front Matter, p. 4 (part 6)
34 all things, and yet as separate and apart from all; as the source of all multitude, yet himself perfect unity; and as immensly prolific, yet divinely solitary and ineffably good. Thus, according to Porphyry m , explaining the properties…”
Both passages describe a supreme deity that is the creator and sustainer of all things, encompassing both celestial and terrestrial realms. They share the concept of a singular, all-encompassing divine being that governs the universe and is worshipped for its creative and sustaining powers.
greek_mystery|Orphic Hymns|Hymn X (part 2)
For the World is one, and only-begotten. Opusc. Mythol. p. 203. 131:17 Ver. 17] The sportive nymphs . This is because Pan rejoices in the exhalations produced from humid substances; without which the world cannot subsist. Phurnutus…”
Both passages describe a supreme deity as the creator and sustainer of the universe, emphasizing the divine's unity, omnipotence, and the interconnectedness of all creation. The passages share a monotheistic or henotheistic perspective, highlighting the divine's role in maintaining cosmic order and providing for all beings.
greek_mystery|Orphic Hymns|Hymn XI. HERCULES (part 2)
127 hence the reason is obvious why Hercules is called "earth's best blossom." And we shall find that Saturn in the following hymn is called "blossom of the earth;" and Themis, in Hymn 78, "young blossom of the earth;" and the Titans, in Hy…”
Both passages describe a supreme deity with multiple attributes and manifestations, emphasizing the divine's role as creator and sustainer of all existence. They share themes of unity, divine power, and the reverence of the deity by all creation.
greek_mystery|The Golden Verses of Pythagoras|Section 12 (part 2)
At the same time, however, we perfectly fall short of the gods, and neither possess the same power with them, nor equal virtue, This Symbol, therefore, in a particular manner introduces the knowledge of the gods, as beings who are able to e…”
Both passages discuss the nature of divine beings and their relationship with humans or the deceased. They explore the concept of good and evil forces, with Passage A focusing on Egyptian mythology and Passage B on Pythagorean philosophy, showing a genuine conceptual parallel in their exploration of divine and opposing forces.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a supreme deity as the creator and sustainer of the universe, emphasizing the deity's singularity, power, and benevolence towards creation. They share themes of divine creation, providence, and the reverence of the divine by all beings.
mesopotamian|Enuma Elish: The Epic of Creation|1k
May he hold the Beginning and the Future, may they pay homage unto him, Saying, "He who forced his way through the midst of Tiamat without resting, Let his name be Nibiru, 'the Seizer of the Midst'! For the stars of heaven he upheld the pa…”
Both passages describe a supreme deity as the creator and sustainer of the universe, emphasizing the deity's singularity, power, and the reverence of other gods and humans. They share themes of divine creation, omnipotence, and the central role of the deity in the cosmos.
platonism|Plato: Timaeus|Section 1o
To know or tell the origin of the other divinities is beyond us, and we must accept the traditions of the men of old time who affirm themselves to be the offspring of the gods-that is what they say-and they must surely have known their own…”
Both passages discuss the nature of gods and their relationship with humanity and the natural world. They explore the duality of beneficent and malevolent forces, and the role of these forces in the afterlife or the cosmic order. The passages share a conceptual parallel in their exploration of divine beings and their influence on the world and the afterlife.