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The Egyptian Book of the Dead (Papyrus of Ani) · 143 of 357 · tr. E.A. Wallis Budge

Chapter 18 (part 2)

In the upper part of it the deceased is shown adoring Osiris, and below is the legend,[3] "Hail, Osiris, the chief of Amenta, the lord of eternity, [1. This instrument is called ### ur hekau , and is made of a sinuous piece of wood, one end of which is in the form of a ram's head surmounted by a uræus (Fig. 1). 2. In the Neb-seni papyrus the "Guardian of the Scale" opens the mouth of the deceased (Fig. 2). 3. ###.] spreading out in everlastingness, lord of adorations, chief of the company of his gods; and hail, Anubis [dweller] in the tomb, great god, chief of the holy dwelling. May they grant that I may go into and come out from the underworld, that I may follow Osiris in all his festivals at the beginning of the year, that I may receive cakes, and that I may go forth into the presence of [Osiris]; I, the double ( ka ) of Osiris, the greatly favoured of his god, Hu-nefer." In the upper register of this section of the papyrus is the text of the "Chapter of opening the mouth of the statue of Osiris." The complete scene, including this stele and vignette, appears in the tomb of Pe-ta-Amen-Apt. In the vignette of the first chapter of the Book of the Dead in the papyrus of Neb-qet[1] the soul of the deceased is represented descending the steps of the tomb to carry food to its mummy in the underground chamber (Fig. 2). The ceremonies[2] which took place at the door of the tomb in an Egyptian funeral are of considerable interest. The priest called Kher-heb , holding the Sem priest by the arm, gives directions for the slaughter of "a bull of the South." The slaughterer, standing on the bull, cuts off a fore-leg (Fig. 3) and takes out the heart. A woman, called the Tcherauur , who personifies Isis, then whispers in the deceased's ear, "Behold, thy lips are set in order for thee, so that thy mouth may be opened." Next, an antelope[3] and a duck[4] [1. Devéria and Pierret, Papyrus Funéraire de Neb-set , plate 3. 2. The following description of them is based upon the chapters on this subject in Dümichen, Der Grabpalast des Patuamenap , Abth. ii I, plates x ff., pp. 3 ff. 3. ### ari . 4. ### smennu .] are brought by order of the Kher-heb , and their heads are cut off.[1] The Kher-heb then addresses the Sem priest: "I have seized them for thee, I have brought unto thee thine enemies. His hands bring his head [as] his gift. I have slain them for thee, O Tmu; let not his enemies rise up against this god." The slaughterer then presents the thigh to the Kher-heb , and the heart to an official whose title was Smer , and all three then "place the thigh and the heart upon the ground before this god" ( i.e. , Osiris). The Kher-heb then says to the deceased, represented by his mummy or statue: I have brought unto thee the thigh (Fig. 4) as the Eye of Horus. I have brought unto thee the heart; let there be no rising up against this god. I have brought unto thee the antelope, his head is cut off; I have brought unto thee the duck, his head is cut off." Here the sacrifice ends. The next part of the ceremony, i.e.
Themes
Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text describes specific chapters and vignettes of the Book of the Dead, which function as esoteric knowledge for the deceased.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

References to the 'holy dwelling' and the 'opening of the mouth' ceremony imply a state of ritual cleanliness required for the afterlife.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Deities are described with physical forms such as a ram's head and uræus, and the deceased adores them.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is explicitly from the Book of the Dead and details rituals for navigating the underworld and interacting with deities after death.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Osiris and Anubis are depicted as active deities who grant requests for passage and participation in festivals.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The speaker identifies themselves as 'the double (ka) of Osiris,' signifying a union with the deity.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Anubis and Osiris are invoked to grant the deceased passage into and out from the underworld.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The text relies on invocations like 'Hail, Osiris' and references the magical instrument 'ur hekau.'

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