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The Mabinogion · 103 of 192 · tr. Lady Charlotte Guest

Tale KILHWCH AND OLWENt

“Do with it as it seems good to thee, and as thou wouldest if it were thine own.” Then Kai polished one half of the blade and put it in his hand. “Will this please thee?” asked he. “I would rather than all that is in my dominions that the whole of it were like unto this. It is a marvel to me that such a man as thou should be without a companion.” “Oh! noble sir, I have a companion, albeit he is not skilled in this art.” “Who may he be?” “Let the porter go forth, and I will tell him whereby he may know him. The head of his lance will leave its shaft, and draw blood from the wind, and will descend upon its shaft again.” Then the gate was opened, and Bedwyr entered. And Kai said, “Bedwyr is very skilful, although he knows not this art.” And there was much discourse among those who were without, because that Kai and Bedwyr had gone in. And a young man who was with them, the only son of Custennin the herdsman, got in also. And he caused all his companions to keep close to him as he passed the three wards, and until he came into the midst of the castle. And his companions said unto the son of Custennin, “Thou hast done this! Thou art the best of all men.” And thenceforth he was called Goreu, the son of Custennin. Then they dispersed to their lodgings, that they might slay those who lodged therein, unknown to the Giant. The sword was now polished, and Kai gave it unto the hand of Gwrnach the Giant, to see if he were pleased with his work. And the Giant said, “The work is good, I am content therewith.” Said Kai, “It is thy scabbard that hath rusted thy sword, give it to me that I may take out the wooden sides of it and put in new ones.” And he took the scabbard from him, and the sword in the other hand. And he came and stood over against the Giant, as if he would have put the sword into the scabbard; and with it he struck at the head of the Giant, and cut off his head at one blow. Then they despoiled the castle, and took from it what goods and jewels they would. And again on the same day, at the beginning of the year, they came to Arthur’s Court, bearing with them the sword of Gwrnach the Giant. Now, when they told Arthur how they had sped, Arthur said, “Which of these marvels will it be best for us to seek first?” “It will be best,” said they, “to seek Mabon the son of Modron; and he will not be found unless we first find Eidoel the son of Aer, his kinsman.” Then Arthur rose up, and the warriors of the Islands of Britain with him, to seek for Eidoel; and they proceeded until they came before the Castle of Glivi, where Eidoel was imprisoned. Glivi stood on the summit of his castle, and he said, “Arthur, what requirest thou of me, since nothing remains to me in this fortress, and I have neither joy nor pleasure in it; neither wheat nor oats?
Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

The passage depicts a worldview where the landscape and natural phenomena (wind having blood, giants ruling castles) are populated by local, embodied preternatural agents.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The giants (Gwrnach, Glivi) and heroes are described with human characteristics such as speech, eating wheat/oats, feeling joy or pleasure, and engaging in social discourse.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The naming of the son of Custennin as 'Goreu' following his feat confers a new identity and status, reflecting the ontological power of names in this mythic context.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The spoken description of Bedwyr's lance ('draw blood from the wind') functions as a magical formula or prophecy that manifests reality to allow entry.

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